Mot-clé : Distance

2005

IMUTUS - An effective practicing environment for music tuition.

International Computer Music Conference, 2005, Barcelona, Spain. pp.383-386

This paper presents some major results from the IMUTUS project. IMUTUS was an RTD project that aimed at the development of an open platform for training students on the recorder. The paper focuses on one of the most important and innovative parts of the IMUTUS system, the practicing environment. This environment integrates technological tools for the automatic analysis and evaluation of student performances along with enhanced interaction schemes to provide an... Lire la suite

This paper presents some major results from the IMUTUS project. IMUTUS was an RTD project that aimed at the development of an open platform for training students on the recorder. The paper focuses on one of the most important and innovative parts of the IMUTUS system, the practicing environment. This environment integrates technological tools for the automatic analysis and evaluation of student performances along with enhanced interaction schemes to provide an effective approach to music learning. Testing and validation activities that have been carried out indicate that the IMUTUS approach is appreciated by both students and teacher, and that it clearly has a strong potential.

Spyros Raptis, Aimilios Chalamandaris, Alexandros Baxevanis, Anders Askenfelt, Erwin Schoonderwaldt, Kjetil Falkenberg-Hansen, Dominique Fober, Stéphane Letz, Yann Orlarey

Mots-clés :
Distance, Education, Learning, Music

2004

IMUTUS - an Interactive Music Tuition System

Sound and Music Computing Conference, 2004, Paris, France. pp.97-103

IMUTUS is a European project that aims at the development of an open platform for training students on non-MIDI musical instruments, as well as to acquire theoretical music knowledge. The project involves many components oriented towards a new approach of music learning. After a brief overview of the system, the performance evaluation module and the music score processing components are described to show how they enforce the pedagogical approach.

Dominique Fober, Stéphane Letz, Yann Orlarey, Anders Askenfelt, Kjetil Falkenberg-Hansen, Erwin Schoonderwaldt

Mots-clés :
Distance, Education, Learning, Music