Mot-clé : Music

1997

Elody : a Java+MidiShare based Music Composition Environment

International Computer Music Conference, 1997, Thessaloniki, Greece. pp.391-394

This paper introduces Elody, a MidiShare compatible music composition environment developed in Java. The heart of Elody is a visual functional language derived from the G-Calculus. The languages expressions are handled through visual constructors and Drag and Drop actions allowing the user to play in realtime with the language.

Yann Orlarey, Dominique Fober, Stéphane Letz

Mots-clés :
Composition, Elody, Functional programming, Music

Distributed Musical Rehearsal

International Computer Music Conference, 1997, Thessaloniki, Greece. pp.279-282

Bringing together a group of musicians and a conductor for a musical rehearsal requires advance planning and an important budget in order to cover travel and subsidiary costs. We have developed an ATM based telepresence environment allowing small groups of musicians that are located in different sites to rehearse as if they were present in the same room and have organized a first distributed musical rehearsal trial. The trial allowed us to test and evaluate the... Lire la suite

Bringing together a group of musicians and a conductor for a musical rehearsal requires advance planning and an important budget in order to cover travel and subsidiary costs. We have developed an ATM based telepresence environment allowing small groups of musicians that are located in different sites to rehearse as if they were present in the same room and have organized a first distributed musical rehearsal trial. The trial allowed us to test and evaluate the system, according to a methodology we developed and to draw first conclusions regarding its performance and usability.

Dominique Konstantas, Yann Orlarey, Simon Gibbs, Olivier Carbonel

Mots-clés :
Distributed system, Music, Real-time

1994

Lambda Calculus and Music Calculi

International Computer Music Conference, 1994, Aarhus, Denmark. pp.243-250

This article presents an approach in the design of music programming languages based on Lambda Calculus. It shows, through several examples, that a purely descriptive language, that is to say a language without any programming capability, can be equipped with programming capabilities by the addition of a limited number of simple constructs.

Yann Orlarey, Dominique Fober, Stéphane Letz, Mark Bilton

Mots-clés :
Lambda calculus, Music